Director Ron Howard remembers seeing Ireland for the first time at age 4. His plane stopped at Shannon Airport for refueling en route to Austria, and the verdant greens of the Emerald Isle were instilled in his memory. Howard also remembers being on the set of “The Music Man” (1962), shot in the wide-screen Technorama format. “I recall huge, oversized cameras that took five or six people to lug around, and all day to set up,” he said. (more…) Continue Reading →
